Wendt

The possible indecision of which way to go is reinforced by the lack of clues from the entirely gray ambience reinforced by their own gray and black outfits.
A boy effortlessly rolls his cart away from his vegetable stand under the ancient archway, while his superior colleague glares with dissatisfaction of something that may have previously occurred – off-camera.
Apparently, the presentation of a movie on one of the largest of media devices can wait while important information is being absorbed from one of the smallest of media devices.
These friends are identical from head-to-toe in their basic wardrobe components and postures. With this foundation, it is likely that they will have resolved this disagreement before disembarking from the subway.
These three little ones seem both contented and curious about what’s going on outside – mostly gray parked cars reflected in the window. The purity of their tiny, soft, pink faces draws in the viewer; framed by harsh red window frames plus what appears to be a side silhouette of a child’s face in the curtain.
The postures of this long-term couple exhibit peaceful tranquility and unspoken communication between them. Watching them from the opposite seat inspires a desire to
find peace, even on a speeding train.
He’s dressed in assertive red and blue fabrics with heavy boots, angry at his loss of privacy. In contrast, his companion is dressed in soft fabrics with a shade of peach, and delicate shoes that make her lovely to see in a model’s pose. The large stone bricks diminish their prominence.
These two people present themselves with an image of purity
and perfection. Using their sophisticated Nikon camera will surely enable them to achieve perfection in the images they
capture.
Two guys are absorbed in their respective media. The seated
man exudes a pensive dignity, bonding with Michelle Obama
in his Colgate hoodie.